Hip hop fl studio tutorials1/20/2024 The NS10Ms were not known for delivering a lush or bass-heavy sound in fact, they often left me wanting more in the low-end department. They were flat almost to a fault, revealing every nuance, flaw, and imperfection in the audio source.Īgain, keep in mind parts of the mid-range are not completely neutral, but this is actually a good thing as it helps differentiate between important parts of the frequency response. These speakers are often described as mostly flat and uncolored, and my time with them confirmed this reputation. My experience with the NS10 was a testament to its legendary status in the world of audio production. Its neutral and revealing sound signature forced engineers to improve the quality of their recordings and mixes.Ĭountless hit albums from the 1980s and beyond were mixed using NS10Ms, making it a symbol of that era’s music production.ĭespite its discontinuation in the early 2000s, the NS10M’s legacy lives on, and vintage models remain highly sought after by recording enthusiasts and collectors. The Yamaha NS10M’s impact on the music industry is immeasurable. Its distinctive white-coned speakers and black cabinets were instantly recognizable, and it was often found perched on mixing consoles. Ubiquity in Recording StudiosĪs more and more engineers adopted the NS10M, it became a fixture in recording studios worldwide. This makes sense my mom’s husband has owned his pair since the 80s and they are still incredibly pristine-looking and in fantastic overall shape. Durabilityīuilt to last, NS10Ms were known for their robust construction and reliability. The NS10M had a limited bass response, which helped engineers focus on low-end frequencies separately, often using dedicated subwoofers. Its mid-range frequencies were particularly pronounced, making it easier to hear vocal and instrument details, which are often critical in music production. It didn’t embellish or mask audio flaws, forcing engineers to address issues in their recordings.ĭo keep in mind that the NS10 isn’t completely neutral, but it places emphasis on areas that are mandatory in getting a mix to sound right. The NS10M had a relatively flat frequency response, which made it ideal for critical listening and mixing tasks. The NS10M’s popularity as a studio monitor can be attributed to several characteristics: Flat Response These engineers began recommending the NS10M to their colleagues, and its popularity grew within the recording community. They found that the NS10M had a unique and uncolored sound profile that allowed them to hear imperfections and nuances in their mixes that other speakers couldn’t reveal. In the early 1980s, a few recording engineers, most notably Bob Clearmountain and Chris Lord-Alge, began using the NS10Ms as secondary speakers in their studio setups. The NS10M’s rise to fame was largely accidental. The NS10M was not initially designed as a studio monitor instead, it was marketed as a bookshelf speaker for home audio use. The NS10M was introduced in the late 1970s by Yamaha Corporation, a Japanese conglomerate known for its musical instruments, audio equipment, and other consumer electronics. So let’s delve into the story of an unassuming speaker that became a legend.
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